Sumário
Editorial
| Nota dos editores | i-ii |
| Editores da RPM | Resumo PDF |
Homenagem a Macario Santiago Kastner
| Santiago Kastner: Memórias esparsas do mestre e do amigo | 1-12 |
| Rui Vieira Nery | Resumo PDF |
| Breves recordações de Macario Santiago Kastner | 13-16 |
| Manuel Carlos de Brito | Resumo PDF |
| Macario Santiago Kastner: Un maestro integral | 17-22 |
| José Luis González Uriol | Resumo PDF |
| Macario Santiago Kastner (1908-1992) | 23-26 |
| Bernard Brauchli | Resumo PDF |
Dossier Temático (revisto por pares)
| Introdução: Decentring Topic Theory: Musical Topics and Rhetorics of Identity in Latin American Art Music | 27-32 |
| Melanie Plesch | Resumo PDF |
| A arte do bem morrer: O discurso tópico na Sinfonia Fúnebre de José Maurício Nunes Garcia | 33-66 |
| Diósnio Machado Neto | Resumo PDF |
| Villa-Lobos e sua brasilidade: Uma abordagem a partir da teoria das marcações (markedness) de Hatten | 67-82 |
| Paulo de Tarso Salles | Resumo PDF |
| The City and the Country in Villa Lobos’s Music: Musical Topics, Rhetoricity and Narrativity in the Prelude to the Bachianas Brasileiras no.2 | 83-100 |
| Acácio Piedade | Resumo PDF |
| Ideologemes in Search of Topics: Argentine Music During the Peronist Decade | 101-120 |
| Omar Corrado | Resumo PDF |
| The Learned Style in Argentine Music: Topic Simultaneity and Rhetorics of Identity in the Work of Carlos Guastavino | 121-140 |
| Melanie Plesch | Resumo PDF |
Artigos (revisto por pares)
| Programming Early Portuguese Repertoires beyond the Pyrenees: The Pioneering Contribution of Macario Santiago Kastner | 141-166 |
| Sonia Gonzalo Delgado | Resumo PDF |
| The Office of the Dead in Portuguese Medieval Uses | 167-204 |
| João Pedro d'Alvarenga | Resumo PDF |
Recensões: Livros
| Jorge Matta, Manuscrito 50 da Biblioteca Geral da Universidade de Coimbra, vols. I – II (Lisboa, Colibri, 2008, 2012) | 205-208 |
| Bernadette Nelson | Resumo PDF |
| David Huron, Voice Leading: The Science Behind a Musical Art (Cambridge, MIT Press, 2016) | 219-226 |
| Gilberto Bernardes | Resumo PDF |
This site is jointly supported and published by the Portuguese Society for Music Research (SPIM), the Institute of Ethnomusicology–Centre for Studies in Music and Dance (INET-MD) and the Centre for the Study of the Sociology and Aesthetics of Music (CESEM). INET-MD and CESEM are both based at the FCSH, Universidade Nova de Lisboa, Portugal, and funded by the FCT-Portuguese Foundation for Science and Technology. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.