Ivan Moody’s Contributions to the Study of Musical Modernism in Serbia and Southern Europe

Ivana Medić

doi:10.57885/rpmns.555

Autores

Ivana Medić Institute of Musicology, Serbian Academy of Sciences and Artes

DOI:

https://doi.org/10.57885/rpmns.555

Resumo

Embora seja sobretudo reconhecido como estudioso da música da Igreja Ortodoxa, Ivan Moody (1964– 2024) dedicou uma parte significativa da sua investigação ao modernismo musical, em particular nos países situados à margem da corrente dominante da Europa Central e Ocidental, privilegiando antes o Sul da Europa – a Península Ibérica, o Mediterrâneo e os Balcãs, incluindo a Sérvia. Devido ao seu amplo conhecimento e à abrangente perspetiva crítica, estabeleceu relações inéditas e formulou interpretações de grande originalidade. Neste artigo, revisito os seus contributos para o estudo do modernismo musical e das suas diversas manifestações na Sérvia e noutros países «periféricos» do Sul da Europa, bem como a recepção dessas ideias no âmbito da musicologia sérvia.

Biografia Autor

Ivana Medić, Institute of Musicology, Serbian Academy of Sciences and Artes

Ivana Medić, PhD, is a Principal Research Fellow of the Institute of Musicology, Serbian Academy of Sciences and Arts. She is also a Professor at the Department of Multimedia Design, School of Computing (University Union), and President of the Serbian Musicological Society. An alumna of the University of Manchester, where she received her PhD in 2010, she has led numerous national and international scientific projects and served as an expert for the European Commission. She has written five monographs, over 100 articles and chapters, and edited twelve books and two catalogues. She has won several awards for outstanding contributions to Serbian musicology. <http:// ivanamedic.com>