Music in the Natural-Tone System

Josip Slavenski, Microtonal Folklore and Electroacoustic Music

Authors

  • Miloš Bralović Institute of Musicology, Serbian Academy of Sciences and Arts

DOI:

https://doi.org/10.57885/rpmns.517

Abstract

In this paper I present my research on the only microtonal piece by Čakovec-born, Belgrade-based composer Josip Slavenski (1896–1955), Music in the Natural-Tone System (1937). I begin with Slavenski’s place in Yugoslav/Serbian music history, and Slavenski’s research in the domain of microtonal music through musical folklore, and subsequent creation of the “natural tone system”. I continue with the analysis of Music in the Natural-Tone System, as Slavenski’s experimental piece in this domain, concluding the analysis with a possible reception, since this piece was never performed. In conclusion, I connect this piece with the other Slavenski’s works composed during the 1930s, which form a legacy he left to younger generation of composers based in Belgrade.

Author Biography

Miloš Bralović, Institute of Musicology, Serbian Academy of Sciences and Arts

Miloš Bralović (Belgrade, 1991) completed his bachelor’s, master’s, and doctoral studies in musicology at the Faculty of Music, University of Arts in Belgrade. He is a Research Associate at the Institute of Musicology, Serbian Academy of Sciences and Arts. He is mainly interested in modernist and avant-garde tendencies in Serbian music from 1918 onwards, including the work of Serbian and Yugoslav composers such as Josip Slavenski, Ljubica Marić, Milan Ristić, Stanojlo Rajičić, and others. 

Downloads

Published

2026-06-08

How to Cite

Bralović, M. (2026). Music in the Natural-Tone System: Josip Slavenski, Microtonal Folklore and Electroacoustic Music . Portuguese Journal of Musicology, 11(1), 25–46. https://doi.org/10.57885/rpmns.517

Issue

Section

Thematic Dossier (peer-reviewed)