Vol. 11 No. 1 (2024)

Imagem da capa

Cover photo credit:

The Belgrade Philharmonic Orchestra in 1938, with its conductor Lovro Matačić and director Stevan Vagner, a lawyer, at the Great Hall of the Kolarac Endowment. The Archive of the Belgrade Philharmonic Orchestra. Used by permission. 

Published: 2026-06-09

Editorial

  • Editors Note

    DOI: https://doi.org/10.57885/rpmns.538

Thematic Dossier (peer-reviewed)

  • Thematic Dossier Eastern European Music in Global Context

    Ivana Medić
    1-4
    DOI: https://doi.org/10.57885/rpmns.516
  • The Ascent and Decline of Serbian Symphonic Music

    Ivana Medić
    5-24
    DOI: https://doi.org/10.57885/rpmns.513
  • Music in the Natural-Tone System Josip Slavenski, Microtonal Folklore and Electroacoustic Music

    Miloš Bralović
    25-46
    DOI: https://doi.org/10.57885/rpmns.517
  • Alexander Jacobchuk’s Symphonies and the Construction of Ukrainian National Identity

    Olha Kushniruk
    47-78
    DOI: https://doi.org/10.57885/rpmns.514

Articles (peer-reviewed)

Reviews: Books

Reviews: Recordings

  • Review: Filipe de Magalhães: Masses Veni Domine & Vere Dominus Est, Cupertinos (CD Hyperion 2023)

    Juan Ignacio Díaz de Corcuera Herrador
    155-160
    DOI: https://doi.org/10.57885/rpmns.523